+523% Royalties Earned
+4 Royalty Sources
2.5 Years as a Client
KATO ON THE TRACK is a successful Music Producer/Entrepreneur that's worked with Multi-Platinum and Grammy-Nominated Artists like Joyner Lucas, Tory Lanez, K Camp, Wu-Tang Clan, Hopsin, B.o.B, Dizzy Wright and etc.
Before Songtrust, KATO ON THE TRACK was bound to another publishing company through his record deal. Due to his lack of knowledge about music publishing, KATO ON THE TRACK did not know he was collecting only a small portion of his royalties. Add a lack of transparency from his publisher, he was often confused about where his royalties were actually coming from.
Fortunately for KATO ON THE TRACK his record contract ended and therefore, so did his publishing relationship. Now having the option to forge a new agreement with his publisher, KATO ON THE TRACK decided to explore other options.
Leveraging his network, KATO ON THE TRACK heard about Songtrust from Abe Batshon of BeatStars. After analyzing his situation, he decided that Songtrust was his best option due to their transparency, control, and ease-of-use. After building a relationship with our Client Acquisition Team, he learned that he could collect royalties for his entire musical catalog from around the world.
Partnering with Songtrust, KATO ON THE TRACK discovered new sources of revenue for his music, giving him a 523% boost in royalties. Now he is able to keep abreast of all his global earnings in one location using the Songtrust platform, giving him more time to spend creating music.
He experienced an overall growth in his career, including collecting from new revenue sources, building his community access through networking and collaborating, and increasing his overall publishing knowledge through our many educational programs.
In addition to becoming an advocate for Songtrust, the Songtrust Team has supported his work with the MEC (Music Entrepreneur Club) and on his newest endeavor, the Sound Advice tour, which is an exclusive opportunity for producers to go over the perils and pitfalls of music publishing, as well as get valuable feedback on their music.